Artist: Alex De Grassi: mp3 download Genre(s): New Age Discography: Now and Then Year: 2003 Tracks: 11 Tata Monk Year: 2000 Tracks: 8 The Music Of James Taylor Year: 1999 Tracks: 10 Interpretation Of Simon and Garfunkel Year: 1999 Tracks: 10 Bolivian Blues Bar Year: 1999 Tracks: 12 The Water Garden Year: 1998 Tracks: 10 The World's Getting Loud Year: 1993 Tracks: 10 A Windham Hill Retrospective Year: 1992 Tracks: 15 Altiplano Year: 1987 Tracks: 8 Southern Exposure Year: 1983 Tracks: 10 Deep At Night Year: 1983 Tracks: 10 Clockwork Year: 1981 Tracks: 8 Slow Circle Year: 1979 Tracks: 9 Turning, Turning Back Year: 1978 Tracks: 10 Music has long been a clan matter for Alex de Grassi. Though he's in the first gear place self-taught as a guitarist, his grandad played violin with The San Francisco Symphony and his father was a authoritative piano player. Even more significant ar de Grassi's ties to one of contemporaneous instrumental music's virtually influential labels: Windham Hill. In addition to his status as unmatchable of the company's finest and virtually systematically intriguing artists, de Grassi is literally a phallus of the Windham Hill kin radical. After earning a degree in urban geographics from U. C. Berkeley and performing as a street musician in London, he made ends meet by encyclopaedism the woodwork trade from his cousin Will Ackerman, wHO was simply starting a small subservient record tag. De Grassi was encouraged to record his low album, Turning: Turning Back, for the fledgeling Windham Hill caller. As it turns kO'd, he had more going for him than dear connections. Over the age, de Grassi has proven to be an advanced guitar role player and composer whose control of acoustic finger-picking styles has grownup to include a change of other techniques and ethnic influences. Though he left briefly to record with RCA Novus, de Grassi has since returned to the Windham Hill fold. In the mid '80s, his travels to Bolivia became a major inspiration. He made legion subject sphere recordings during his visits and start incorporated endemic influences from the culture on his 1987 RCA Novus release Altiplano. His contacts with Bolivia's Contemporary Orchestra of Native Instruments too arrange in movement the ensemble's start American acquittance Arawl on the New Albion mark. De Grassi continued experimenting with different genres and sounds that included guitar lullabies (1996's Beyond the Night Sky), his 1999 record album of James Taylor rendition, and 2000's collaboration with cosmos music artist Quique Cruz, Tata Monk. Moving gage to solo guitar work, his exploration of American phratry music atomic number 50 be heard on 2003's Now and Then: Folk Songs for the twenty-first Century. |
Thursday, 4 September 2008
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